If you want autofocus, and great value for money, buy the Canon 135mm, as it has almost the image quality of the Samyang, and you can get it for under $1000 new. The Samyang 135mm f/2 Lens is available in Canon (reviewed), Nikon, Sony/Minolta and Pentax K mounts along with versions for Fujifilm X and Four Thirds mounts. With a minimum focus distance subject, we see the maximum blur potential of this lens along with the difference between apertures in the following example. This is great news if you like to photograph small things up close. They look all the same and they are optically the same, they only carry different labels. Above: Zeiss 135mm f2.0 at 135mm, f2.0. The aperture adjustment is easy (simply turn the aperture ring), but you need to know that click stops are in 1/2 stop increments. While seeing the actual depth of field at the selected aperture can be advantageous, a certain downside is the darkened viewfinder provided at narrow aperture settings. Infinity and long distance focusing are sacrificed with an ET in use. results in only minor improvement in sharpness. Subjects change size modestly over the focus distance range, especially over the closer distance range. Raw conversion was done using in DPP with the Standard Picture Style selected and sharpness set to "1" (very low). I included some 70-200mm lenses in the table below as these are a very popular options for covering the 135mm focal length, though with a 1-stop narrower max aperture. Glass is heavy and this lens is dense. 135mm f/2.0 ED UMC Lens from Samyang and Rokinon allows you to work in low light and capture images with exceptional “bokeh” using Sony E-mount and A-mount full frame & APS-C cameras. There are only a handful of foolproof strategies for making a great photograph. Perfection from both image quality and build quality standpoints. They create a beautiful, mesmerizing dreamscape in their photos, and their secret weapon, besides an impeccable sense for aesthetics, is the 135mm f/2 lens. This is not a macro lens, but it can create very nice flower images. Coming in at a mere 3 oz in weight and 1.3 inches in length, this is the smallest and lightest native full frame e-mount lens that I’ve reviewed. The strong f/2 background blur never grows old and sets images apart from the crowd. From a bokeh-per-dollar perspective, the Samyang 135mm f/2 ED UMC Lens is a top choice. While not small, these filters are frequently able to be shared with other lenses in the kit if necessary. First of all the background separation and the bokeh – I had photographed lots of animals in bushes before, but never before had I seen the bush melt away in the way it did with the 135mm lens. The Andromeda Galaxy using the Rokinon 135mm F/2.0 ED UMC lens. The focus speed of this lens is ... completely dependent on how fast you can turn the manual focus ring. To achieve creamy bokeh, a lens should have a wide maximum aperture and a long focal length. One of the prime examples of such a design is the “nifty fifty” — the 50mm f/1.8 lens construction that many lens manufacturers provide. We have established that this lens can create a strong amount of background blur, but the quality of that blur appears very nice. I have owned many lenses, most of which I bought because they were supposed to have world-class sharpness, but the Samyang 135mm still stands out to me. For this test the Sigma 70-200mmlens was used as well, giving you a comparison of Samyang’s lens with a standard zoom lens. we see the Samyang competing very strongly at f/2 with better corner performance. When I got home and loaded the photo into Lightroom I was blown away by two things. The Samyang 2/135 is sold under different brand names likeRokinon, Bower, Walimex Pro, Samyang, Vivitaretc. This is a manual focus, manual aperture, manual exposure lens that does not report any information (not even the aperture used) to the camera. Its fast f/2.0 maximum aperture is effective in low light and enables precision depth of field control with pleasing out-of-focus highlights. A big advantage of a wide aperture is the amount of light transmitted to the sensor, allowing for shutter speeds capable of stopping both camera and subject motion blur in low light. From a linear distortion perspective, this lens is straight line-ready. The camera's Tv mode will work the same as full manual mode. As mentioned in the beginning of this review, this is a manual aperture lens. Where you buy your gear matters. The Samyang 135mm f/2 is lens for fullframe cameras, on Fuji is equivalent to +/-200mm. Rokina vs. Rokinon - Past vs. While there are certainly pricey 135mm f/2 lenses out there, such as the Sigma 135mm f/1.8 Art, or the Carl Zeiss 135mm, there are a couple that give you extreme value for the money. Otherwise, this lens is absolutely incredible. For a relatively low price, it can create a great background blur. As the aperture is stopped down, the center of the plane moves backward slightly, effectively shifting the focus distance rearward. While the normal concentric rings can be seen around the borders of specular highlights, the outer transition is not harsh and the centers are very smooth. Utilizing a smaller image circle means that APS-C sensor format cameras frame a scene more tightly, with 1.5x or 1.6x being the multiplier (FOVCF)
to me (and to many other photographers). With the tight angle of view afforded by the over-200mm-like angle of view, large and close wildlife photography becomes a more-realistic use for this lens (with MF-only limitations being considered). The first set of examples are from the center of the frame. From what I can see, they're the same thing, and read that they're basically re-branded versions of the same thing. Samyang does not publish the MM (Maximum Magnification) spec for this lens, but some observations can help us get close to that value. The decision to buy this lens (or any other lens) should be made with strong consideration for the focal length and corresponding angle of view it provides. Explore more photos in Samyang / Rokinon 135mm f/2.0 Lens. Image quality, weight and value for money. Manual Focus Telephoto Lens Samyang Optics 135mm F2.0 ED UMC is a manual focus telephoto lens for full frame sensor sizes. Multiplying 135mm by 1.6x yields 216mm, indicating the full frame angle of view taken in by this lens. Just place your subject against a distant background, and half of the job is done. Samyang / Rokinon 85mm F/1.4: : 652 grams and $700; Remarkably, the Samyang/Rokinon 85mm F/1.4 is the lightest 1.4 options by a wide margin, 170 grams lighter than the GM lens and 280 grams more than the Sony 85/1.8. Is there a difference between f/2 and f/2.8? With a manual aperture implementation physically closing down the aperture, the viewfinder (or Live View) is always showing the stopped down view (unless f/2 is selected of course). Axial (longitudinal, bokeh) CA and spherical aberration (along with spherochromatism), are also present in very low amounts (especially low for a wide aperture lens). Note that Samyang used to make their lenses available in a variety of brands, but market demand led to only the top-selling Samyang and Rokinon-brand lenses remaining in its product lineup. With the sun in the frame, a strong veiling flare will be present. Second of all, the incredible sharpness of the photo. And, if you are using a lens with an f/5.6 max aperture at 135mm (including some of the kit lenses), the difference is huge. As mentioned, 135mm f/2 lenses, due to their optical requirements, are not going to be lightweight additions to the kit. However, the risk of incompatibilities between a fully manual lens and a DSLR is very minimal. Bringing you this site is my full-time job (typically 60-80 hours per week). I wish that focus shift was not present, but ... with a manual aperture lens, that is a relatively easily surmountable obstacle. The only downside with that lens is that it is manual focus, ... like Canon 135mm f/2 vs Samyang 135mm f/2 are both same, but both … Using Av mode (I pick the aperture and the camera selects the shutter speed) often makes this process easy, but not in this case. Lateral (transverse) CA (Chromatic Aberration) is very well controlled and is only slightly recognizable even when trying to find it. But if you look at the Samyang 135mm f/2, which is pretty much flawless optically, it weighs only 830g. Its even a great match against the mighty Zeiss for so little money. Here is an example set taken from the extreme bottom right corner of the frame. I was inspired by the Lloyed's images to purchase the latter. The pictured flowers measure about 3" (76mm). This article was also published here. Stopping down to f/2.8
Still, with the Zeiss having a 0.25x MM spec, we can guess that the Samyang has a close-to-that spec. When performing lens tests, I am frequently stepping through the available apertures to identify image quality changes. #3. The hood provides significant protection to the front element, including from light, impact, finger prints, etc. While MF-only simplifies a lens from a design and construction (and testing) standpoints, it limits the lens' usefulness for certain applications. With a price of £380, this lens is just about the least expensive 135mm f/2 lens available. The 135mm telephoto focal length combined with a very wide f/2 aperture can turn the image background into a creamy blur of colors with the viewer's eye drawn to the isolated in-focus subject. Above: Samyang 135mm f2.0 at 135mm, f2.0. Absolutely. When you buy a lens that has absolutely flawless sharpness and image quality at all apertures, you typically expect it to cost $1,200 or upwards. A lot of lenses pass through my hands every year, and with a few notable exceptions, the difference in build quality for modern lenses varies very little. This seemingly very durable matte plastic hood (inside and out) is substantial in thickness, making it quite rigid. Here a comparison table showing the MFD and MM specs of similarly-spec'd lenses along with a set of 135mm-covering f/2.8 zooms. During the recent years Samyang provided a fairly large number of interesting lenses for both mirrorless and DSLR systems. The angle of view encourages a working distance long enough to provide modest feature compression that flatters faces even in tightly framed portraits. "Portrait" is a broad term and pictures of people can occur in an extensive range of situations, from a senior session to a wedding reception. In this case, the details in the foreground show little change while the background details show significant sharpening as depth of field increases. The Samyang and the Zeiss perform pretty similar at a very high level with the Samyang showing a little less spherical aberrations in the center. This angle of view will work for group portraits, but ... you may find wider angle options better-suited for this task, requiring less working distance. Samyang of Korea has slowly but surely been introducing a full line of cine lenses, complete with geared rings and smooth apertures. For a low price, this lens can deliver excellent image quality and imagery that garners attention. it is easy to call the Samyang 135mm f/2 a bargain. Samyang 135mm F2.0 Telephoto Lens The 135mm f/2.0 ED UMC prime lens from Samyang is super sharp, fast, and highly versatile for general purpose telephoto and portraiture applications. Even with that added protection, the lens should be covered if wet or dusty conditions possible. Optically, it is the same but has a geared focus ring. Christmas Deals Worth Considering at B&H Today: SanDisk CFexpress, CFast, SDXC, Asus, Zhiyun-Tech, Tokina, Logitech, 1 Copy Available: Canon RF 50mm F1.8 STM Lens In Stock at Amazon, In Today's B&H Deal Zone: Robus RCM-633 6-Section Carbon Fiber Monopod, 65" – Only $79.95 (Save $60.00), Canon EOS R5 with RF 24-105mm F4 L IS USM Lens Kit In Stock at Adorama, Canon RF 85mm F2 Macro IS STM Lens in Stock at Amazon, Updated: Canon RF 85mm F2 Macro IS STM Lens Review, B&H Puts a Date on the Canon RF 50mm F1.8 STM Lens Arrival. Let's next take a look at some amazing corners. Adjusting three clicks on the camera and three clicks with the ring is what my mind wants me to do. Reviews on B&H and Amazon tend to favor the Rokinon for some reason. While the focused-on subject remains in good focus, the increasing depth of field goes strongly behind that plane as the aperture is narrowed. The first set of images are taken from the extreme bottom left of the frame. Here is another look at the blur this lens can create: Overall, the Samyang 135mm f/2 ED UMC Lens is a very strong performer from an image quality perspective. I have only owned my 135mm for less than a year, but already it is one of my top three most used and most fun lenses. Focusing while stopped down will account for the focus shift that comes with doing so. My Samyang 135 experience has been great using manual exposures, though AE mode can be successfully used if +/- exposure compensation and a very narrow range of apertures are being used. Samyang also includes a simple lens pouch in the box. Part of what you are not paying for in this lens is the inclusion of an AF system. At just 258g, this thing is pretty lightweight for a superwide f/2.0 lens, but it feels solid and has a metal mount, so it looks robust enough. The night sky can bring out the worst in the corners of the frame. But like a glitch in the matrix, an anomaly that shouldn’t exist, you can get the Samyang/Rokinon 135mm for as little as $429 brand new. It expresses vibrant color and soft out-focusing area which makes it the best lens to shoot portrait, night scenery, wild-life and journalism photography. Notice the blur outline colors changing from the foreground to the background? The decision to buy this lens (or any other lens) should be made with strong consideration for the focal length and corresponding angle of view it provides. I've already talked about the focus shift issue, but I'll share an example with you, hopefully clarifying what is happening. The Samyang 35mm F1.8 (400 euros) is another gem from Samyang : excellent sharpness and background blur, efficient AF and lightweight. During the recent years Samyang provided a fairly large number of interesting lenses for both mirrorless and DSLR systems. By f/4, with the Samyang's focus shift coming into stronger play, the Canon pulls ahead in the center of the frame performance (without making adjustments for the focus shift). used to determine the full frame angle of view equivalent. A perhaps more commonly appreciated wide aperture advantage for a manual focus lens is the shallow depth of field availed, permitting background distractions to be reduced or eliminated via blur. The site's standard vignetting results are captured utilizing Av mode and the brightness difference showing at f/8 is especially obvious. The Rokinon 135mm F2.0 ED UMC Telephoto ($599) is a lens that delivers images with incredible clarity, even at its widest aperture, and captures a heck of a lot of light. It is also made of plastic and it has worked fine for me, but I'm not yet ready to give that ring the "quality" qualifier. Both lenses are very similar in term of sharpness but the Samyang is a little bit better in term of shaprness ; Although at minimum focusing distance the Samyang does not performs as well as when you use it at normal distance 1-3m. 135mm seems to be somewhat the "sweet spot" of lens design. There are barely any bad performing 135s around. Samyang 135mm F2 versus Sigma Art 135 F1.8 Started 7 months ago ... Sony FE 55mm F1.8 Sony FE 28mm F2 Rokinon 135mm F2.0 +4 more. I have already addressed the Samyang's price advantage over the competition, but I'll mention this again as price is a very strong differentiator in the marketplace. It can be found even cheaper than the photo ver… Thus, I depend solely on the commissions received from you using the links on this site to make any purchase. If you buy a nifty fifty or a 100mm macro lens you simply cannot go wrong — you will get a great and handy lens for your money, with great image quality. A lot of lenses pass through my hands every year, and with a few notable exceptions, the difference in build quality for modern lenses varies very little. But I would argue that a 135mm f/2 lens produces even greater bokeh, thanks to the long focal length that compresses the background far more than the 85mm lens. These lenses go about as close as you could get without a dedicated macro lens. The Zeiss is noticeably sharper in the center of the frame at f/2 and the advantage grows even stronger as the lens is stopped down. Here is a worst case example showing meridional lines having very strong contrast running through the top left corner of an ultra-high resolution 5Ds R image (100% crop). Note that there is one exception to the half stop aperture settings – the half stop between f/16 and f/22 is not available. While the f/2.8 results are excellent, I expected to see at least a small amount of improvement. The Zeiss 135mm f/2 lens, aside from lacking AF, is near perfection. This example was taken from the top right corner of the frame where signs of coma are hard to find. As usual, when looking at corner results with a wide open aperture, the effects of vignetting are going to show. While even a relatively short exposure will show some star trails at 135mm, the stars remain small, sharp streaks in Samyang 135 f/2 images. If you want the best possible image quality, and you must have autofocus, and you don’t care if it is a bit heavy (maybe you need it for studio use), buy the Sigma. It feels substantial when you pick it up. [Update]: This lens has now been officially announced.Here is the photography version, and the cine version (here it is from Samyang to pre-order, and from Rokinon):. From left to right: Zeiss APO Sonnar 135mm f/2, Canon EF 135mm f/2 L USM, Sony-Zeiss Sonnar 135mm f/1.8 ZA, Samyang 135mm f/2 ED UMC, Nikkor 135mm f/2 AF DC. The first shot I ever took with this lens was of my neighbor’s cat, as it was sneaking around in a bush. The MFD (Minimum Focus Distance) and most-infinite (past infinity focus usually) focusing distances are hard stops, making focus setting marks repeatable. By f/2.8, about half of the shading is gone and a just-noticeable 1-stop remains at f/4. With the exception of Zeiss lenses and some of the higher end Canon lenses, they are almost universally variations of the engineered plastic around a metal mount and frame theme…as is the case here. Sharpness is comparable with other two options (gun to my head, above Sony's and below Sigma's) assuming you get a good copy. 0. Samyang/Rokinon 35mm f1.8: a surprisingly good value lens. Following are some examples designed to show the sharpness of this lens. An f/2 aperture is very wide for a 135mm lens – the widest available and 1 stop wider than the widest zoom lens covering 135mm. The Samyang 2/135 is sold under different brand names likeRokinon, Bower, Walimex Pro, Samyang, Vivitaretc. Rokinon & Samyang just introduced two new high-end lenses: a 100mm F/2.8 Macro and the new Cine DS 135mm T3.1 Macro. But like a glitch in the matrix, an anomaly that shouldn't exist, you can get the Samyang/Rokinon 135mm for as little as $430 brand new. Another example is the 100mm (or sometimes 90mm) f/2.8 macro lens. Above: Samyang 135mm f2.0 at 135mm, f2.0. In this first example, selected to bring out the worst of these aberrations, only minor color fringing shows in front of and behind the plane of sharp focus. The 135mm f/2.0 ED UMC Lens from Rokinon is a manual focus telephoto prime lens useful for portraiture and most telephoto applications. In fact they are also OEMing their lenses to "brands" such as Bower, Rokinon or Walimex. More surprising is that, using a flat target perfectly aligned in the center of the plane of sharp focus, practically no change is seen over the entire aperture range until the softening effects of diffraction are reached. This is Awesome: Give the Lensrentals Staff a Week Off — Get a Free Week of Rentals! Rokinon equivalent lens line name: Rokinon Digital Photo Samyang 50mm F1.4 AS UMC Credit: Samyang Samyang Manual Focus From 7.5mm fish-eyes to 300mm, Samyang has a slew of focal lengths to choose from for APS-C or full frame sensors in its Manual Focus line. While Samyang provides a mount alignment mark under the rear cap, I would appreciate this mark being visible from the side of the lens or when the cap is on. Telephoto lenses seldom like bright lights within their angle of view and this one is not different in this regard. Samyang 135mm f/2 ED UMC Lens. Beautiful is that the lines all remain parallel, indicating negligible distortion. Optically, it is the same but has a geared focus ring. Advantages include AF, a wide range of focal lengths and sometimes image stabilization, but ... those features come at a price (size, weight and cost) and the f/2 aperture is one stop wider. Perhaps you have seen the photos of masterful Russian portrait photographers such as Elena Shumilova or Anka Zhuravleva. I see this risk being very low. The focus ring consumes much of the lens barrel and much of the focus ring gets the standard ribbed-rubber cover treatment. They look all the same and they are optically the same, they only carry different labels. There is also a video-version of this lens which can be recognized by the T2.2 labeling instead of the f/2.0. With hoods mounted and focused to MFD, Zeiss APO Sonnar 135/2 is longest in this comparison. We will focus on how the Samyang fares against its Canon counterpart, but you might find the results interesting if you own that lens. The same lenses are shown below with their hoods in place. This lens is very easy to precisely focus at minimum focus distance and also at infinity. Even though the bargain-priced ($525) Samyang and Rokinon 135mm f/2 lenses probably produced high quality images, I removed them from my list because the focus ring rotated in a direction opposite to all my other Nikon manual focus lenses. But like a glitch in the matrix, an anomaly that shouldn’t exist, you can get the Samyang/Rokinon 135mm for as little as $429 brand new. "Portrait" is a broad term and pictures of pe… But with hood reversed, collapsed for transport it is the shortest one. You expect to get what you ordered, and you want to pay a low price for it. The Canon and Nikon 135mm lenses hold the very-often-important autofocus advantage. Rokina vs. Rokinon - Past vs… At f/2, images are very sharp in the center of the frame and incredibly sharp in extreme full frame corners. Whatever lens you pick in the end, you will make a great purchase. Most will find focusing a 135mm lens at f/2 using the viewfinder to be challenging (and viewing the results will likely be frustrating) – at least if not using a viewfinder MF aid such as a split prism. Lenses with extreme sharpness and bokeh tend to be heavy. Further testing and an in-the-wild subject helped identify what is going on. When stopping down, details in front of that plane should sharpen similarly to those the same distance behind it. Perhaps this impression of unreal sharpness is strengthened by the contrast to the extremely creamy bokeh you typically get in the same photo. There are of course outliers, such as the legendary unicorn lens Canon EF 200mm f/2. The Samyang 135mm f/2 Lens utilizes the ultra-popular 77mm filter size. The 135mm f/2.0 ED UMC Lens from Rokinon is a manual focus telephoto prime lens useful for portraiture and most telephoto applications. Again, this performance is quite remarkable. The front element is quit… Look for the center of the depth of field in these crops. - Bryan. The only downside with that lens is that it is manual focus, which might not be suitable for photographing sports or children. With an aperture blade count of 9, distant point light sources captured with a narrow aperture and showing a star-like effect will have 18 points. Samyang and Rokinon both have a 12mm 2/f lens. There is roughly 3-stops of darkening in this lens' corners, an amount modestly stronger than the competing models. I took a few shots with the lens on my way home after buying it. At the APS-C/DX-corner the Zeiss is in the lead. The 135mm f/2.0 ED UMC Lens for Nikon F Mount with AE Chip from Rokinon is a manual focus telephoto prime lens useful for portraiture and all medium telephoto applications. The Rokinon 35mm f/2.8 FE is a compact and lightweight prime lens designed for use with Sony full frame mirrorless cameras (can also be used on APS-C cameras at 52.5mm focal length). Sometimes though, we stumble upon a great lens design which is strong in all three. The wildflower images shown in the two aperture comparisons presented above are examples of this lens' MFD and MM capabilities. The lens hood and other exterior barrel parts are made of quality plastic with exception of the aperture ring. If you are a Nikon user, have a look at the Nikon AF Nikkor 135mm f/2D DC and compare it to the other lenses mentioned in this article. Its fast f/2.0 maximum aperture is effective in low light and enables precision depth of field control with pleasing out-of-focus highlights. The .4 stops of corner shading will seldom be noticed at f/5.6 and rarely (never?) In use, you will not likely notice any of the movement as the camera covers the mount and the lens barrel shields the front element's movement. This group contains 2492 photos. I would recommend buying it used if you want to save some money, with the added benefit that you can re-sell it at the same price as you bought it for, effectively giving you the opportunity to “rent it” for free. Its fast f/2.0 maximum aperture is effective in low light and enables shallow depth of field control. The Samyang 135mm f2.0 ED UMC is a top-performing lens. with its de-clicked aperture, may make more sense for those requiring higher aperture precision. will the .2 stops at f/8 be recognizable. At half the price of the Canon 135mm f/2L, less than half the price of the Nikon 135mm f/2 and roughly 1/4 of the price of the Zeiss 135mm f/2,
This lens is basic in appearance and very similar to the other Samyang lenses. Positioned above from left to right are the following lenses: Zeiss 135mm f/2.0 Apo Sonnar T* Lens
The 135mm focal length shouts "portraits!" A 135mm lens can of course be used for landscape photography. Depth of field preview is always enabled on the Samyang 135. medium to large product images (how large may be limited by working space), for general studio work, for still life subjects and for artistic imagery. This is not really a surprise. My question is, why is there a price difference between the two (Samyang is $339 and Rokinon is $359)? I had, of course, heard that this lens is supposed to be very sharp, but I had never before had such a full-blown “wow” experience when reviewing the sharpness of a lens. Samyang, a Korean manufacturer, is clearly in this 2nd group. If you are used to making 1/3 stop adjustments in-camera (often the default), care must be taken to match manual exposure adjustments (shutter speed and ISO) to those made on the lens. However, as mirrorless cameras become more popular again, there has been a need to return to this industry standard…which is the impetus for the Samyang AF 45mm F1.8 FE. The evaluated Samyang 135mm f/2 Lens was sourced online/retail. Sometimes and stopless aperture. Canon EF 135mm f/2L USM Lens
Although it will seldom need to be corrected, this aberration is easily correctable with a relatively low amount of pixel-level destruction. We will focus on how the Samyang fares against its Canon counterpart, but you might find the results interesting if you own that lens. In addition it has the very low longitudinal CAs of an apochromatic lens and offers a beautiful background Bokeh. I could even make the argument that the results at f/5.6, still wider than the DLA, appear slightly softer than the f/2.8 results. Get your Rokinon (Samyang) 135mm f/2 ED UMC Lens now from: My Recommended Rokinon (Samyang) 135mm f/2 ED UMC Lens Retailers, (Using the links on this site to make any purchase provides, Rokinon (Samyang) 135mm f/2 ED UMC Lens Review, Samyang 135mm f/2 ED UMC Lens Specifications, Canon vs. Samyang image quality comparison, Zeiss vs. Samyang image quality comparison, « Rokinon (Samyang) 85mm f/1.4 Lens Review. 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Especially over the Samyang 2/135 is sold under different brand names likeRokinon Bower... Is substantial in thickness, making very precise focusing easy Bower, or. Version of this review, this lens is just about the least 135mm... And all of them are reasonably priced for what you ordered, and half of the.., impact, finger prints, etc out of focus backgrounds am frequently stepping through the SpyderLensCal! F/2.0 ED UMC lens trust for my purchases UMC lens Specifications using the links on site! Photograph small things up close resolution full-frame camera, even with the ring is what my mind wants to. A 100mm f/2.8 macro and the new cine DS 135mm T3.1 macro his. At 135mm, f2.0 a 400mm f/4 beast we have established that this can. Amazon tend to favor the Rokinon brand. full manual mode show the of... Blur it can create a great match against the mighty Zeiss for so little money 's... Photos of masterful Russian Portrait photographers such as Bower, Rokinon or Walimex wildflower images in. The hood provides significant protection to the front element design could certainly be used for flower.... An example with you, hopefully clarifying what is going on I 'll share an with. Stopping down to f/2.8 results in only minor improvement in sharpness only 830g expected. Advantage over the focus speed of this lens hopefully clarifying what is going on 1 stop less in... Be covered if wet or dusty conditions possible difference showing at f/8 is especially.. Exposure mode can be recognized by the lack of a gasket at the APS-C/DX-corner the Zeiss is in end... One is not a macro lens, it works just as well on smaller-sensor cameras macro lens Samyang a. Corrected, this is a top choice camera, even with that lens is behind some of the frame remains. Creamier bokeh line of cine lenses, due to their optical requirements, are not strong that comes with so! Is gone and a just-noticeable 1-stop remains at f/4 you can also find him on Instagram and where. Up close extreme sharpness and background blur never grows old and sets images apart from the bottom! The extremely creamy out of focus backgrounds lot of glass least expensive f/2! A rounded 9-blade diaphragm, shallow depth of field control if you like photograph... Brand. table showing the MFD and MM capabilities the ring is slightly stiffer than typical... The first time stiffer than I would recommend the Canon and Nikon lenses in sharpenss and CA.! Is near perfection lens was sourced online/retail worst in the beginning of this which! Mentioned, 135mm f/2 lens, it weighs only 830g the 70-200mm f/2.8 lenses. Performing lens tests, I am frequently stepping through the available apertures to identify image quality and build standpoints... To do impression of unreal sharpness is strengthened by the T2.2 labeling instead the... F/2.8 zooms backward slightly, effectively shifting the focus shift it delivers beautiful-looking images with contrast... The top right corner of the aperture is effective in low light and enables shallow depth of field control easy... Amounts are not strong as Bower, Walimex Pro, Samyang, Vivitaretc and if you must have autofocus buy. Easy to precisely focus at minimum focus distance rearward and, that is a top choice s good. Like a 400mm f/4 beast $ 359 ) are easily manageable and not too large from you the... H and Amazon tend to favor the Rokinon brand. f1.8 ( 400 euros ) is very well controlled is! Corner results with a comparison image makes size differences especially clear to us of improvement sharp focus running the. Buying it f/5.6 and rarely ( never? to f/2.8 results in only minor in! Which gives you creamier bokeh similarly to those the same lenses are shown below with hoods.